Automatic color and texture matching that addresses problems of multicam and stereo shoots.
RE:Match in Action
RE:Match Overview
See what RE:Match can do!
We would like to thank the following people for supplying footage: Jaime Fernández Miranda, Mammoth HD, Ami Sun and Karen Marcelo, Survival Research Laboratories, Garrett J Smith and original music by Bob Bralove, bobbralove.com
See what’s new in RE:Match v2!
RE:Match is our solution to help you with camera matching problems. In this overview, you will see new features added in RE:Match V2 as well as some differences between RE:Match V1 and V2.
Reflections
In this example, you will see that RE:Match Stereo matches one view to the other, despite the fact that the car reflects a slightly different color at a different angle.
Nick Brooks, Academy Award and Emmy Award winner for visual effects, says RE:Match provides "amazing color matching for stereo pairs... really!!! The specular and optical aberrations matching is high quality and very effective."
Jonathan Banta, stereo pipeline designer, says "The smart guys at RE:Vision Effects have created a very cool toolset that I have been lobbying for for a long time. Brilliant!"
RE:Match Features
Match colors automatically
Color correct one shot to match another when using multiple takes or cameras.
Easy to control
RE:Match can match using the whole image or part of an image, and can use any point in time.
Feature Specs
Color matching
Set a color correction using several automatic methods. Color correct using a particular point in time of the sequence to match.
Crop window
Perform automatic whole-image color correction based on a smaller window of pixels for each of the image sequence
Footage requirements
RE:Match assumes that both image sequences are taken roughly at the same location but perhaps were not shot at the same time or from the same point-of-view.
Color Correction Dissolve
Dissolve color corrective matching between user-selected reference frames along the timeline. Great for shot-to-shot match. Your reference can even be a set of stills.
Handles more than one cut
Control the color correction for different cuts within your sequence by setting up one to four images and color match by choosing among them. This reduces the need to cut up your footage before processing.
Reuse a color correction
Ability to store the current color correction and use it on other sequences via cut-and-paste of the plug-in to another clip
HDR Imagery
Works well with over bright values and very wide dynamic ranges
Learn how to use RE:Match’s features
Instructional videos, and example videos, that help you learn how to get the most of each plug-in's robust features.
Download
Try RE:Match for Free
RE:Match V2 – OFX Hosts
RE:Match V2 – OFX Hosts
TRIAL DOWNLOAD & LICENSE COMPATIBILITY
When you download a RE:Match or purchase a RE:Match license for Catalyst Edit it is compatible with the following:
Autograph
Autograph (all versions)
Baselight
5.2.11675 (and up)
Catalyst Edit
2017.2 (and up)
Diamant and Dustbuster+
13.0 (and up)
Flame
2019.2 (and up)
Fusion Studio
5.2 (and up)
HitFilm
4 (and up)
Natron
1 (and up)
Nuke
5.1 or Indie 12.2 (and up)
Resolve
15.1.1 (and up)
Silhouette
6.1.3 (and up)
Vegas Pro
64-bit only, v10.0e (and up)
RE:Match V1 – OFX Hosts
RE:Match V1 – OFX Hosts
TRIAL DOWNLOAD & LICENSE COMPATIBILITY
When you download a RE:Match or purchase a RE:Match license for Catalyst Edit it is compatible with the following:
Catalyst Edit
2015.1.0.104 (and up)
Fusion Studio
5.2 (and up)
HitFilm
4 (and up)
Natron
1 (and up)
Nuke
5.1 or Indie 12.2 (and up)
Silhouette
6.1.3 (and up)
Vegas Pro
64-bit only, v10.0e (and up)